Obviously there was professionally digital recording before that, but Talk,
WAVES GTR3 WILL NOT RECORD IN CAKEWALK MAC
Recorded on a Mac in a home studio environment. As far as I know, that is the first CD to be If I take an example, Yes Talk was recorded mainly as a digital CDĪnd I think that’s an unbelievable recording.įred: Talk was the first CD I think, to be recorded using Digital Performer by Mark of the Unicorn with later evolved into ProTools. Well, I think that’s amazing and I don’t see a downside to that. You can work in 24-bit all the time and it never leaves 24 bit digital. To accomplish high quality with software. $80 mic to record the whole thing……….I would like to embrace high quality Vintage snobs, it doesn’t matter how much your amp is, or this crazy pedalīoard you got and spent all this money on boutique pedals, if you mic it withĪn $80 Shure SM57 which is the industry standard, it’s like, you still have an You show someone a painting and they’ll go, “oh, that’s beautiful, I love that”Īnd you’ll say, “well that was done in Photoshop and they had this printer thatĪlan: It’s kind of ironic though, because with the
WAVES GTR3 WILL NOT RECORD IN CAKEWALK SOFTWARE
They’re not working, we’ll go out to a Church that has pianos and things andĬan accomplish a whole lot in here just using software based stuff and we’reīe careful sharing this because there are people out there that will cop anĪttitude when they find out you’re not using this real honest to goodness
Vision for how you think things should sound.Īnd I’m really picky about Organs and Mini-Moogs and I’ve found things Have to be willing to dig in to the ear a little bit and make it suite your One that speaks to you, and then you tweak that, you can get some really, Have a good ear and audition every software plug-in ever made and you find the Resources really to put a couple thousand bucks to refurbishing my Mini-Moog Is deteriorating and I’ve got my Mini-Moog in the closet, and all the oldĪnalog equipment that we love so much is just so hard to maintain. We have a Hammond down in the basement which Well honestly, now a days I’ve pretty well embrace the computer in Sound Resources (Glass Hammer’s Studio). Point because we own the studio and have all the time in the world. Usually when you finish an CD no matter how much you loved it while you wereĭoing it, when it’s finished you hate it……(Laughing). This CD is shaping up very well because we Going this well, because….we’re all waiting for the disaster. Really coming together in a very easy, comfortable way which also has us This CD particularly, Perilous, is really, So, really the trick is to achieve the visionīefore it overwhelms you and you just have to move on to something else. Tunnel vision and you can’t be objective about anything. Generally that just a matter of time, thanĭiminishing returns between the amount of time it takes to tweak on somethingĪnd the point you get to where you just can’t face it anymore and you have Hoped for where you record the CD you hear in your head? Not….But I do have enough of a classical foundation that I kinda know where IĬould be and where I should be, and that definitely helps. Really hard……(now) at least I still know when my technique is being sloppy or Practicing and having core technique, I’m still able to slide throughĪs well as I did when I was 18……because when I was a kid I was could really sitĪnd practice four or five hours a day and I was really into it and working Of proper technique………It drove enough into me that the next 30 years of not So, it wasn’t really a long period, but it was a pretty intensive periodĪnd I had a really good teacher and he very much instilled in me the importance When I was pretty young…….between 9 and 13.
I took formal lessons and was classically trained for about four years, Have you taken formal lessons and / or are you classically trained?
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